On The Upshaws, we almost always stuck to the script and the pace was much slower. Additionally, I had to recalibrate my thinking to the editorial style of single-camera sketch comedy. We would screen cuts together as an editorial team and debate how to land a joke better, or which scenes would play best in an episode together. The culture of History of the World was extremely collaborative. Of course, I jumped at the chance!Ĭoming from The Upshaws, where it was generally just me in the edit bay combined with the multi-camera editorial style, was an adjustment as History was quite the opposite. Just as we were wrapping up our season, Wanda asked if I’d be interested in cutting the Mel Brooks sketch comedy series. My experience editing The Upshaws led me to my next show, History of the World, Part II. History of the World Part 2 | Trailer | Hulu youtu.be I enjoyed the challenge of landing the jokes with the proper takes and reactions while artfully weaving in the laughter. The editorial style of The Upshaws is a hybrid of the two: we have the element of the studio audience, however, our showrunners prefer that the edits are on the tighter side, which is a different take on this format. Single Camera comedy, however, is usually edited in a much tighter manner, with jokes layered on top of each other. Multi-camera sitcoms are shot on a soundstage with a studio audience and because they have a laugh track, the editorial style is much like stand-up comedy in the sense that the show is cut fat with room for the laughter to play out and time for the characters to take the laughter in. ![]() The Upshaws: Part 3 | Official Trailer | Netflix youtu.beĬoming from a background of editing stand-up comedy made my transition to cutting The Upshaws a fluid one. This came with a lot of pressure and growth but also led to my first three Primetime Emmy nominations in 2023: two for The Upshaws and one for History of the World Part II. It was my first multi-camera sitcom and I was the only editor on the second season of a hit show (except Episode 5, where I share a credit with the talented Russell Griffin). This was a pivotal moment in my career for multiple reasons. I give away overlays and guides on my website, which you can get by subscribing to my newsletter here. Now I can quickly position the video content underneath, which will again help me save time by not creating custom Instagram-friendly sequences. I need to be sure to right click and select Scale to Frame Size. Once created, I can overlay the color matte on my sequence and then bring the opacity down to make it transparent. I'll go with 900x1600 for Instagram Stories. I’ll select a nice bright color and then type in a custom width and height matching one of the Instagram platforms. First I’ll go to File > New > Color Matte. To get around this, I use color mattes to create custom overlays. One of the downsides of using custom export presets is that you can’t perfectly position your content like you can with sequence presets. Also, pay attention to the length requirements I mentioned in the first section for each platform. If your file doesn't look good on Instagram (or just plain isn't working), play with these settings. Also, you can make adjustments to the bitrate encoding and target bitrate to change the size and quality of your files. For example, H.264 isn't the only format that works on Instagram, but it is the one that they prefer. ![]() ![]() Target Bitrate - 8Mbps (Adjust this to change quality vs file size.)īe aware that these specifications are not the only thing that will work on Instagram.Width/Height - Just as with the sequence presets, match the resolution to the desired aspect ratio.Here’s a closer look at the aspect ratio and video length requirements of each particular platform. These include landscape 16:9 for horizontal video, 4:5 and 9:16 for vertical video, and 1:1 for square. Each platform has its own tech specs which often lead to confusion for editors. One of the main points of confusion is the number of possible aspect ratios you can use when exporting for Instagram. These include the main feed, Stories, and the newly released Instagram TV. When publishing to Instagram, you have a number of options regarding platforms. ![]() I suggest that you bookmark this page, as you’ll want to refer back to this information often. (Plus these 5 Most Helpful Premiere Pro Editing Workflow Tutorials.) If you're interested in some other editing tips and tricks though, be sure to check out our guide on How to Use the New Adobe Fonts in Premiere Pro and How to Create Comic Book Style Speech Bubbles in After Effects. In this tutorial, we’re going to take a closer look at how to properly work with Adobe Premiere Pro footage that’s destined for Instagram.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |